Sunday, 13 August 2017


I went out for a ride this afternoon to get in a few miles, and to take some more photographs to test out the camera on my new phone. It was a bright day, with clouds and sunny spells, so there was lots of contrast on offer. These are pretty challenging conditions for photography.

Here are a few of the resulting frames. These are all straight from the camera, with no post processing. And, naturally, no optical filters were used in the making of these photos.

The Globe pub in Alresford.

Bighton Wood

Harvested fields between Bighton and Medstead

More harvested fields from Common Hill, Medstead

Woods near Dummer
I'd probably reduce the exposure of the woods, because it was quite dark in there. Here's how the picture looks with the brightness reduced. I just used the Photos app in Windows.

The woods with reduced brightness


 That sky looks threatening!

Ferns in the verge

 Just one of many thatched cottages in the area. This one is in North Waltham.

Combine Harvester above Hunton

Harvesting is well under way on the Hampshire prairies!

More thatched cottages, this time in Hunton village.

The light at Stoke Charity was gorgeous!

The Dever at Stoke Charity
Once again, this photo of the river Dever, flowing through Stoke Charity, looks a little over exposed. Here is how it looks with the brightness reduced.

The pond at Stoke Charity. Exposure in the sky has been held particularly well.

Stoke Charity church.
Overall, these are pretty encouraging. Still seems as though it should be feasible just to use my phone for photos on the rides.

Monday, 7 August 2017

Leaving the Camera Behind

In recent years, I've carried a 'compact' camera with me on major rides, to record the sights. This year, however, when riding in the Alps, I'm planning on relying on my mobile. Recent advances in mobile phone cameras include some fairly sophisticated High Dynamic Range(HDR) capabilities. Multiple exposures are taken automatically, and merged to maximise the perceived dynamic range in the resulting picture. This is just what you need to capture photos with a large contrast range. And that includes landscapes with bright skies.

View from the top of Dean Hill, direct from my phone

First experiments, from a group ride last Sunday, look quite promising. As a result, I'm planning on leaving my camera behind on big climbs, and using the extra space for more food!

Having a bit of history in image processing, I was interested in how the newer HDR approaches work. Conventional HDR involves taking a series of individual images while bracketing the exposure. Some shots will be under exposed while others will be over exposed. The combination of the data from the set of images, using the appropriate maths, leads to an image that better represents the full range of colour and brightness. Images in the sequence need to be registered with one another, of course, since there may be slight movements of the camera between individual frames. But that's the same task as stabilisation in video recording, and that has been available in real time for quite a while. The disadvantage with conventional HDR is the time taken to capture the multiple frames. This manifests itself as shutter lag to the photographer.

The newest approach to HDR appeared in mass market phones with Google's Pixel range. In Android, this is now known as HDR + Auto. As soon as the camera is running, it is actually capturing a continuous stream of frames, as if it were in video mode. These are stored in a buffer. Every frame is deliberately under exposed, so that they can be combined without 'blowing out' bright areas. When the shutter is pressed, the camera records the time, and retrieves the appropriate set of frames from the buffer. Because the data is being captured continually, there is no shutter lag at all. The challenge, of course, is that because no frames are over exposed, the data in the shadow areas is always noisy. It turns out, however, that better results can be obtained in the shadows by combining a time sequence of frames, than by boosting the exposure. In particular, colours can actually be captured more accurately in shadows. The whole process takes a lot of computation, of course, and has only become feasible with the latest processors. HDR + is an example of the new trend towards computational photography and software defined cameras, which use the basic data from the sensor in new ways. In many respects, its closer to what our own visual systems do, in post processing the data from our eyes, which are not the best visual sensors, to generate detailed representations of the world.

There are likely to be glitches, from time to time, but it definitely seems to be worth trying in anger.